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Hill’s other additions to Kurosawa’s story are a little more than gratuitous filler. “I was born with a conscience,” he replies. Later, in a scene that deflates whatever dramatic tension exists, a character asks Willis what his curse is.
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“No matter how low you sink, there’s still a right and a wrong,” Willis helpfully explains at the movie’s start.
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We know he is more than a gun for hire, but what is it that he wants? Money? Revenge? Simply the thrill of the kill? Previous film versions have lent clues but not answers, making the stranger a myth.īut in Last Man Standing, he’s just a mope. Through an extended voiceover narration, Willis tells us everything – what we already know, what we don’t need to and what we would rather figure out for ourselves.Įver since Yojimbo, the mysterious motive of this warrior hero has been the gist of the tale. The movie also has to tell us that it’s there. Willis tells us everything – what we already know, what we don’t need to and what we would rather figure out for ourselves.īut Last Man Standing isn’t content to let us simply see the dust. There’s an austerity to the images of this town, where men in suits pace the lone street, fresh corpses stand in the undertaker’s window and dust blows all around. Retaining Leone’s Western setting gives writer-director Walter Hill ( 48 Hours Wild Bill) a robust backdrop to work with. Willis is a combination of both: real violence lies behind that smirk. Later, in Sergio Leone’s 1964 remake, A Fistful of Dollars, Clint Eastwood made him a terse killer. Hoping to make some quick cash, Willis sells his “services” to both sides.Īs originally played by Toshiru Mifune, this “man with no name” was a mischievous comic. The gunplay has sent most of the town fleeing for their lives only the undertaker stayed behind. For Willis, that place is Jericho, Texas, a town torn between two bootlegging gangs. Both point the way to a viper’s nest of violence and death. When he came to a fork in the road, Kurosawa’s wandering samurai threw his sword in the air Willis’ drunk spins his whiskey bottle. Based on Akira Kurosawa’s 1961 samurai adventure Yojimbo, the movie features a lone gunfighter (Bruce Willis) who attempts to play two rival gangs against each other in a dead-end town. A remake of a remake, Last Man Standing fails to pay its homage well.